Sea Shepherd, The Cove, Taiji, Japan,
the truth exposed
In 2009 the film documentary “The Cove” it was released
attempting to analyze the dolphin harvesting in Taiji, Japan. The propaganda piece (“The Cove”) eludes to
it was difficult for the film crew to get into Taiji indicating the people and
police were racist making it difficult for them to enter this picturesque
fishing village. Another reason given
for this difficulty attributed to the people of the village wanting to keep
their dolphin harvesting a secret from the outside world. Huh?
Taiji, Japan ships dolphins all over the world, so how is
that trying to keep their dolphin industry a secret? In 2010 the pervert thespians in Hollywood
awarded this film a shallow Academy Award for Best Documentary Feature. Should have been for best propaganda piece or
fantasy.
I went to Taiji, Japan in 2011 met with the mayor, and heads
of the town’s fishermen’s association.
All this without any difficulty.
Never once was I stopped by police, despite driving into and around town
in a huge customized Chevrolet “good times” van.
In April of 2012 we returned to Taiji in the same van. However this time we took it up a notch. We plastered on both sides of the van a large
sign reading in Japanese “foreigner,” 外国人 . We drove all over Taiji, in front of city
hall, in front of the police station, the fishermen’s association and once
again never stopped. Based upon my
travels through this town in 2011 and 2012 I would have to conclude the premise
alluded to in the fantasy movie “The Cove” was a gross miss-representation of
the truth – a lie!
The people of Taiji and neighboring village Nachikatsuura
(Nachi-Katsuura) in Wakayama Prefecture, are a warm and friendly people. The portrayal of these good people by “The
Cove” and Sea Shepherd’s Cove Guardians is pure fiction with the goal of making
money and exploiting the latent racism that exists in suckers around the world
to view the fantasy and get donations.
Link to the “The Cove” trailer:
http://www.youtube.com/watch?v=LQRFPtiywTE
1 comment:
I find it so odd how hateful and angry you are to defend what you project as a construct of truth when you do do not factor in all variables nor when you were not present when cinematic evidence was gathered and presented. You however want to stoop to infantile vitriolic name calling to present your model of truth and political correctness. How odd. How sad.
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